As accurately observed by Telotte, the devices of flashback and voice-over associated with the genre implicitly challenge conventionally linear narratives, while the use of the subjective camera shatters the illusion of objective truth and foregrounds the rift between reality and perception (3, 20). (157) 9The large body of films flourishing in America between the years 19 collectively dubbed film noir subvert this narrative formula, but only partially. In classical fabula construction, causality is the prime unifying principle. The bias implied in the very connotations of the word has affected the theory and study of film adaptation. What all these definitions have in common is a tacitly implied hierarchy and valorisation: they presume the existence of an origin to which the recast work of art is indebted, or of biological or societal constraints to which the individual should conform in order to survive. Among its multiple connotations, the word “adaptation” may signify an artistic composition that has been recast in a new form, an alteration in the structure or function of an organism to make it better fitted for survival, or a modification in individual or social activity in adjustment to social surroundings. 1Film adaptation is an ambiguous term, both semantically and conceptually. As a result to create the denouement or to tie up all the characters and events, he used that earthquake effect toward the end of the movie. But everyone’s life is different in their own way. I think Altman made these changes to make the audience feel like there is a connection between the characters, they all live in the same society and probably in the same neighborhood. As a middle aged woman with a not so stable and happy life, it was the line that her life could have suddenly changed had the boy been killed that she spoke to her husband that grabbed the audience. Doreen in the story also went from having children at home to having grown children, her character needed to be altered to create more of an impact.
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I often read a story and then see the movie and wonder why a pivotal part in my opinion has been removed, but in reality movies have to be made for mass audience where upon a book in my opinion is sometimes written for a niche market and not necessarily intended to reach the masses. This allows the movie to weave the stories together more cohesively and to have a better sense of unity in the separate yet woven storylines.
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Short Cuts combines characters and makes the driver Doreen instead of opting for the male heartless version in the story.
Such in this case and although mentioned many times the change from the hit and run scene. There is a creative process and vision that comes from every individual and group.
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